Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process
This article considers the dichotomy of originals and copies in the specific context of photographs of objects that recreate an existing work of art or a documentary photograph. The examples span the period from the mid-nineteenth century to contemporary photographic practices. The traditional le...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2021-12-01
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| Series: | Venezia Arti |
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| Online Access: | http://doi.org/10.30687/VA/2385-2720/2021/07/005 |