Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process
This article considers the dichotomy of originals and copies in the specific context of photographs of objects that recreate an existing work of art or a documentary photograph. The examples span the period from the mid-nineteenth century to contemporary photographic practices. The traditional le...
| 第一著者: | |
|---|---|
| フォーマット: | 論文 |
| 言語: | English |
| 出版事項: |
Fondazione Università Ca’ Foscari
2021-12-01
|
| シリーズ: | Venezia Arti |
| 主題: | |
| オンライン･アクセス: | http://doi.org/10.30687/VA/2385-2720/2021/07/005 |