The Reversed Canvas: A Topos of Conflict Between Commercial and Aesthetic Values in Nineteenth-Century Paris and London
This chapter concerns the double valency of commercial and aesthetic values in reversed paintings depicted in nineteenth-century French and British paintings and cartoons of academic juries. My concern is not with actual backs of paintings, but with representations of them on the rectos of actual pa...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2023-11-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/15019 |