Sepulchral Intermediality in Paula Markovitch’s "Armando y Genoveva" (2013)
This article explores Paula Markovitch’s intermedial reconstruction of her parents’ public (in)visibility in Armando y Genoveva (2013). Markovitch’s intermedial choices—particularly those moments in the documentary when recorded voices are superimposed on the scenes that brim with her parents’ artwo...
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| Format: | Article |
| Language: | English |
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University of Groningen Press
2023-09-01
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| Series: | Mistral |
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| Online Access: | https://ugp.rug.nl/Mistral/article/view/41203 |