Using classical reception to develop students’ engagement with classical literature in translation

While observing A-level students at my PP2 school, I noticed that their responses to classical texts largely consisted of the identification of stylistic tropes. The students could identify a text's stylistic features but they struggled to articulate and develop their own personal reactions to...

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Main Author: Shane Forde
Format: Article
Language:English
Published: Cambridge University Press 2019-04-01
Series:The Journal of Classics Teaching
Online Access:https://www.cambridge.org/core/product/identifier/S2058631019000035/type/journal_article
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author Shane Forde
author_facet Shane Forde
author_sort Shane Forde
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description While observing A-level students at my PP2 school, I noticed that their responses to classical texts largely consisted of the identification of stylistic tropes. The students could identify a text's stylistic features but they struggled to articulate and develop their own personal reactions to the text. They had been well-trained in this sort of ‘feature-spotting’ and therefore their reading experience was narrowly mechanical rather than genuinely exploratory. Every passage they encountered was put through the same analytical process with the unsurprising result that every classical author ended up sounding much the same. This seemed to me to be fundamentally passive way of engaging with literature. I was struck by Muir's contention that ‘the pupil should not be a passive recipient in the study of literature’ (!974, p.515). Hence, I wanted to devise a teaching strategy that would enable my students to be more active in the formulation of a personal response to the text.
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spelling doaj.art-ba483c27106e430d8f23b557c8991b2f2023-03-09T12:37:25ZengCambridge University PressThe Journal of Classics Teaching2058-63102019-04-0120142310.1017/S2058631019000035Using classical reception to develop students’ engagement with classical literature in translationShane FordeWhile observing A-level students at my PP2 school, I noticed that their responses to classical texts largely consisted of the identification of stylistic tropes. The students could identify a text's stylistic features but they struggled to articulate and develop their own personal reactions to the text. They had been well-trained in this sort of ‘feature-spotting’ and therefore their reading experience was narrowly mechanical rather than genuinely exploratory. Every passage they encountered was put through the same analytical process with the unsurprising result that every classical author ended up sounding much the same. This seemed to me to be fundamentally passive way of engaging with literature. I was struck by Muir's contention that ‘the pupil should not be a passive recipient in the study of literature’ (!974, p.515). Hence, I wanted to devise a teaching strategy that would enable my students to be more active in the formulation of a personal response to the text.https://www.cambridge.org/core/product/identifier/S2058631019000035/type/journal_article
spellingShingle Shane Forde
Using classical reception to develop students’ engagement with classical literature in translation
The Journal of Classics Teaching
title Using classical reception to develop students’ engagement with classical literature in translation
title_full Using classical reception to develop students’ engagement with classical literature in translation
title_fullStr Using classical reception to develop students’ engagement with classical literature in translation
title_full_unstemmed Using classical reception to develop students’ engagement with classical literature in translation
title_short Using classical reception to develop students’ engagement with classical literature in translation
title_sort using classical reception to develop students engagement with classical literature in translation
url https://www.cambridge.org/core/product/identifier/S2058631019000035/type/journal_article
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