“Un congegno che capta ogni cosa”. Susan Sontag e i limiti dell’immaginario fotografico
“A device that captures it all”. Susan Sontag and the limits of photographic imaginary. Sontag’s collection of essays On Photography (1977) identifies the photographic gaze as a way of experiencing and defining reality through a controversial mix of fragmentation and desire of totalization, which is...
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| Format: | Article |
| Language: | English |
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Mimesis Edizioni, Milano
2021-01-01
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| Series: | Im@go. A Journal of the Social Imaginary |
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| Online Access: | https://cab.unime.it/journals/index.php/IMAGO/article/view/2965 |