Courbet, Catlin, and the Exploitation of Native Americans
This essay interrogates connections between Gustave Courbet’s The Painter’s Studio (1855; Musée d’Orsay) and the visual culture of American Indian performance in Paris. The article builds evidence from visual analysis and from reviews of George Catlin’s American Indian Gallery (Paris, 1845) written...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2019-05-01
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| Series: | Transatlantica |
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| Online Access: | http://journals.openedition.org/transatlantica/11062 |