My Son The Fanatic, de Hanif Kureishi, ou l’intégration à rebours
Using films, or, for that matter, any cultural artefact in order to reach an understanding of social issues raises a number of methodological difficulties. Films do not “reflect” reality. Creative works, even when they claim to be realistic, have a strong but indirect relationship with the context i...
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| Format: | Article |
| Language: | English |
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Université de Poitiers
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| Series: | Cahiers du MIMMOC |
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| Online Access: | https://journals.openedition.org/mimmoc/322 |