La liberté du double cadre
In his film The Passenger, which recounts the quest for an impossible freedom, Antonioni multiplies the frames within the frame, up to a famous shot that has become legendary, which underlines and erases the power of the frames.
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2022-12-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/12650 |