Pasolini’s Valorization of the Orient through Marxism in the Movie Arabian Nights

This paper argues that Pasolini includes the Orient as a cultural character in his movie though other critics believe Pasolini stereotypes the Orient. It is not Orientalism through which to discuss the film. This article reads the movie through Marxism to claim that Pasolini includes the Orient as a...

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Bibliographic Details
Main Author: Roohollah Roozbeh
Format: Article
Language:English
Published: Lasting Impressions Press 2018-08-01
Series:International Journal of English Language and Translation Studies
Subjects:
Online Access:http://www.eltsjournal.org/archive/value6%20issue3/12-6-3-18.pdf