Phenomenological Reading of the Colors of a Persian Painting from the book of Samak Ayyar of Al-Injou’s Period by Relying on the Theories of Najmuddin Kubra
Introduction Persian painting is one of the critical contexts for the emergence and design of Persian and Islamic wisdom, which has a long life in the history of illustration of this land. The main issue of this research is to reflect on the use of Persian painting from philosophical principles af...
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| Format: | Article |
| Language: | English |
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Shahid Bahonar University of Kerman
2022-06-01
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| Series: | مجله مطالعات ایرانی |
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| Online Access: | https://jis.uk.ac.ir/article_3379_74a0662ffb09a8c2348fb2c0a9e36c43.pdf |