Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement

Many journalists and scholars overlook the discursive role of music in TV political advertisements. But we argue that music is a potent means of political persuasion. Music in advertisements is determinative; all other elements—images, voiceovers, sound effects, written text, and so on—are circumscr...

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Main Authors: Matthew A. Killmeier, Paul Christiansen
Format: Article
Language:Danish
Published: Sammenslutningen af Medieforskere i Danmark (SMID) 2011-06-01
Series:MedieKultur: Journal of Media and Communication Research
Subjects:
Online Access:https://tidsskrift.dk/mediekultur/article/view/2857
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author Matthew A. Killmeier
Paul Christiansen
author_facet Matthew A. Killmeier
Paul Christiansen
author_sort Matthew A. Killmeier
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description Many journalists and scholars overlook the discursive role of music in TV political advertisements. But we argue that music is a potent means of political persuasion. Music in advertisements is determinative; all other elements—images, voiceovers, sound effects, written text, and so on—are circumscribed by the music and interpreted in relation to it. Music determines an advertisement’s character through framing and underscoring; musical frames establish interpretative categories and generate expectations, while underscoring comprises music that closely coordinates with images and voiceovers to form a persuasive aesthetic and rhetorical unity. A close reading of a 2004 Bush-Cheney advertisement applies this theory of frames and underscoring to explain the advertisement’s effectiveness. Without music, the advertisement would not only fail to persuade, it would also make no sense.
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spelling doaj.art-c1de36eaac8a4889a09c0ba8e7506f092022-12-22T02:38:26ZdanSammenslutningen af Medieforskere i Danmark (SMID)MedieKultur: Journal of Media and Communication Research0900-96711901-97262011-06-01275010.7146/mediekultur.v27i50.28573453Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisementMatthew A. Killmeier0Paul Christiansen1University of Southern MaineUniversity of Southern MaineMany journalists and scholars overlook the discursive role of music in TV political advertisements. But we argue that music is a potent means of political persuasion. Music in advertisements is determinative; all other elements—images, voiceovers, sound effects, written text, and so on—are circumscribed by the music and interpreted in relation to it. Music determines an advertisement’s character through framing and underscoring; musical frames establish interpretative categories and generate expectations, while underscoring comprises music that closely coordinates with images and voiceovers to form a persuasive aesthetic and rhetorical unity. A close reading of a 2004 Bush-Cheney advertisement applies this theory of frames and underscoring to explain the advertisement’s effectiveness. Without music, the advertisement would not only fail to persuade, it would also make no sense.https://tidsskrift.dk/mediekultur/article/view/2857Music in advertising, political advertising, musical persuasion
spellingShingle Matthew A. Killmeier
Paul Christiansen
Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement
MedieKultur: Journal of Media and Communication Research
Music in advertising, political advertising, musical persuasion
title Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement
title_full Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement
title_fullStr Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement
title_full_unstemmed Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement
title_short Wolves at the Door: Musical persuasion in a 2004 Bush-Cheney advertisement
title_sort wolves at the door musical persuasion in a 2004 bush cheney advertisement
topic Music in advertising, political advertising, musical persuasion
url https://tidsskrift.dk/mediekultur/article/view/2857
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