Die keusche Penelope und der zornige Odysseus : Kursieren einer tragikomischen Opernhandlung zwischen Wien und Norditalien
In the 1710s and 1720s, librettist Pietro Pariati and composer Francesco Bartolomeo Conti cultivated the highly specific genre of tragicommedia per musica at the Habsburg court in Vienna. Of particular interest is their tragicomedy Penelope (1724), which depicts Ulysses as a ridiculous hero guided b...
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| Format: | Article |
| Language: | ces |
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Masaryk University, Faculty of Arts
2018-12-01
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| Series: | Musicologica Brunensia |
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| Online Access: | https://journals.phil.muni.cz/musicologica-brunensia/article/view/23908 |