Girlhood, postfeminism and contemporary female art-house authorship: The “Nameless Trilogies” of Sofia Coppola and Mia Hansen-Løve
Both Sofia Coppola and Mia Hansen-Løve’s first three films can be understood as trilogies of female coming of age. These are thematic or conceptual trilogies, declared as such after the fact by their directors, and thus a self-conscious declaration of authorial agency, but the trilogy itself is not...
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| Format: | Article |
| Language: | English |
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University College Cork
2015-12-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue10/HTML/ArticleHandyside.html |