Tony Morgan’s Performative Cinema in the Age of the “Cinematic Turn”: “Relational Films” (1969-1970), “Structural Films” (1969-1971) and Produkt Cinema (1971)
This article analyses the films, installations, performances and film projects of British artist, Tony Morgan, who is associated with Fluxus. Focusing on the years 1969–1971, we show the process of dematerialization and rematerialization inherent in his films – a distinctive feature of a cinematogra...
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| Format: | Article |
| Language: | deu |
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Adam Mickiewicz University Press
2020-12-01
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| Series: | Artium Quaestiones |
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| Online Access: | https://pressto.amu.edu.pl/index.php/aq/article/view/26356 |