Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka
This paper scrutinizes the part played by dancing in two plays by Soyinka where such an artistic practice is rather foregrounded. I shall attempt to understand how theatre might be reinforced by dancing, an immediate, a corporeal art, the intrusion of a dramaturgy that is freed from the text. I wish...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2014-06-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/4098 |