Suzuki Seijun and Postwar Japanese Cinema, by William Carroll. Columbia University Press, 2022, 286 pp.
Suzuki Seijun’s extensive filmography cuts across such a wide range of genres and styles that only his most extravagant films have typically stood out to Western programmers and audiences. The absurd and comical excesses of films such as Tokyo Drifter (Tōkyō nagaremono, 1966) and Branded to Kill (Ko...
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| Format: | Article |
| Language: | English |
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University College Cork
2024-02-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | https://www.alphavillejournal.com/Issue26/HTML/ReviewFranklin.html |