Borrowing, Reworking, and Composing: The Making of the Viennese Pasticci of 1750

The dramma per musica Andromeda liberata, the favola pastorale Euridice, and the azione teatrale Armida placata, all performed for the first time in Vienna at the Theater nächst der Burg in 1750, are, as pasticci, quite exceptional for the Viennese opera repertory of the Theresian Age. Their singula...

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Bibliographic Details
Main Authors: Michele Calella, Günter Stummvoll
Format: Article
Language:English
Published: Österreichische Gesellschaft für Musikwissenschaft 2020-11-01
Series:Musicologica Austriaca
Subjects:
Online Access:http://musau.org/parts/neue-article-page/view/91