Borrowing, Reworking, and Composing: The Making of the Viennese Pasticci of 1750
The dramma per musica Andromeda liberata, the favola pastorale Euridice, and the azione teatrale Armida placata, all performed for the first time in Vienna at the Theater nächst der Burg in 1750, are, as pasticci, quite exceptional for the Viennese opera repertory of the Theresian Age. Their singula...
Main Authors: | Michele Calella, Günter Stummvoll |
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Format: | Article |
Language: | English |
Published: |
Österreichische Gesellschaft für Musikwissenschaft
2020-11-01
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Series: | Musicologica Austriaca |
Subjects: | |
Online Access: | http://musau.org/parts/neue-article-page/view/91 |
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