From the Margins to the Mainstream? The Eastmancolor Revolution and Challenging the Realist Canon in British Cinema
This article focuses on Eastmancolor’s introduction in the British film industry from 1954 to the complete adoption of colour by the end of the 1960s. We discuss how aesthetic experiments with colour offer a compelling parallel history to debates concerning British film genres, films and film...
| Main Authors: | , , , |
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| Format: | Article |
| Language: | English |
| Published: |
Milano University Press
2019-03-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16199 |