Imagining the Blitz and Its Aftermath: The Narrative Performance of Trauma in Sarah Waters’s <i>The Night Watch</i>
Critics agree that Sarah Waters’ fourth novel, <i>The Night Watch</i> (2006), marks a turn in her fiction, away from the farcical tone of her first three neo-Victorian novels and towards an ever-more serious concern with the changes in class structures and gender roles brought about by t...
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| Format: | Article |
| Language: | English |
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MDPI AG
2022-04-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/11/2/57 |