Myths in crisis? Marina Carr’s revision of feminine myths in contemporary Irish Theatre
The theatre of Marina Carr evokes Sophocles’ Electra in The Mai (1994), through female characters that pursue a mythical ending. It turns to classical modernity in Marble (2009), when women are unable to coexist with normative models, Trojan territories turn into unknown dreamlands, lasting and imma...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Universidad de Jaén
2015-12-01
|
| Series: | The Grove |
| Online Access: | http://revistaselectronicas.ujaen.es/index.php/grove/article/view/2697 |