Perspectival truth: Michael Haneke’s «The castle» and the fragmentation of the real
Haneke’s 1997 adaptation of Franz Kafka’s Das Schloß (The Castle) is thus far his last work for television[1]. Although «the Austrian film almanac lists» it «as a feature film» and it «was released in Austrian cinemas before its television première» (Holmes 2007, 109)[2], Haneke has always professed...
Main Author: | |
---|---|
Format: | Article |
Language: | deu |
Published: |
Milano University Press
2020-07-01
|
Series: | Lebenswelt: Aesthetics and Philosophy of Experience |
Online Access: | https://riviste.unimi.it/index.php/Lebenswelt/article/view/14815 |