Perspectival truth: Michael Haneke’s «The castle» and the fragmentation of the real
Haneke’s 1997 adaptation of Franz Kafka’s Das Schloß (The Castle) is thus far his last work for television[1]. Although «the Austrian film almanac lists» it «as a feature film» and it «was released in Austrian cinemas before its television première» (Holmes 2007, 109)[2], Haneke has always professed...
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| Format: | Article |
| Language: | deu |
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Milano University Press
2020-07-01
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| Series: | Lebenswelt: Aesthetics and Philosophy of Experience |
| Online Access: | https://riviste.unimi.it/index.php/Lebenswelt/article/view/14815 |