Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, c...
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| Format: | Article |
| Language: | English |
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De Gruyter
2021-11-01
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| Series: | Open Cultural Studies |
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| Online Access: | https://doi.org/10.1515/culture-2020-0132 |