Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat

The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, c...

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Main Author: Duggan Anne E.
Format: Article
Language:English
Published: De Gruyter 2021-11-01
Series:Open Cultural Studies
Subjects:
Online Access:https://doi.org/10.1515/culture-2020-0132
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author Duggan Anne E.
author_facet Duggan Anne E.
author_sort Duggan Anne E.
collection DOAJ
description The Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, class, human/thing, and species fluidity, which undermines hierarchies supported by dichotomies that in very similar ways privilege men over women, the upperclass over lowerclass, persons over things, and human animals over non-human animals. The essay traces these different forms of fluidity, examining the role of marvelous in general and metamorphosis in particular in problematizing normative structures of identity and revealing their arbitrary nature.
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spelling doaj.art-c8f8a14103e348e2b597d441cdfa5f502022-12-22T03:03:42ZengDe GruyterOpen Cultural Studies2451-34742021-11-015120822010.1515/culture-2020-0132Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White CatDuggan Anne E.0Classical and Modern Languages, Literatures, and Cultures, Wayne State University, 96 Maplefield Road, Pleasant Ridge, MI 48069, United States of AmericaThe Frères Cogniard produced immensely popular vaudeville féeries in the nineteenth century and among them most popular was The White Cat (1852), which grafts two tales together by Marie-Catherine d’Aulnoy: “The White Cat” and “Belle-Belle, or the chevalier Fortuné.” The féerie foregrounds gender, class, human/thing, and species fluidity, which undermines hierarchies supported by dichotomies that in very similar ways privilege men over women, the upperclass over lowerclass, persons over things, and human animals over non-human animals. The essay traces these different forms of fluidity, examining the role of marvelous in general and metamorphosis in particular in problematizing normative structures of identity and revealing their arbitrary nature.https://doi.org/10.1515/culture-2020-0132aulnoymarie-catherine d’théodore and hippolyte cogniardgenderclassféerie
spellingShingle Duggan Anne E.
Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
Open Cultural Studies
aulnoy
marie-catherine d’
théodore and hippolyte cogniard
gender
class
féerie
title Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
title_full Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
title_fullStr Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
title_full_unstemmed Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
title_short Gender, Class, and Human/Non-Human Fluidity in Théodore and Hippolyte Cogniards’ féerie, The White Cat
title_sort gender class and human non human fluidity in theodore and hippolyte cogniards feerie the white cat
topic aulnoy
marie-catherine d’
théodore and hippolyte cogniard
gender
class
féerie
url https://doi.org/10.1515/culture-2020-0132
work_keys_str_mv AT dugganannee genderclassandhumannonhumanfluidityintheodoreandhippolytecogniardsfeeriethewhitecat