Singing Utopia: Body and Voice in Boys Don’t Cry, Orlando, and Una Mujer Fantástica
In this article, I analyse how gender identity is represented and constructed in Kimberly Peirce’s Boys Don’t Cry (1999), Sally Potter’s Orlando (1992), and Sebastian Leilo’s Una Mujer Fantástica (2017). Taking from Muñoz’s theories of queer futurity and performance, I argue that the focus on the si...
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| Format: | Article |
| Language: | English |
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Università di Pisa
2021-06-01
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| Series: | Whatever |
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| Online Access: | https://whatever.cirque.unipi.it/index.php/journal/article/view/89 |