The Object World and the Semiotics of Pronouns in Tsvetaeva’s Autobiographical Prose
This article analyses Marina Tsvetaeva’s autobiographical prose and puts special emphasis on proper names and pronouns as related to the peculiarities of the object world of the poet’s prose. The analysis is based on the Moscow cycle of sketches, such as The Robbery, The Shooting of the Tsar, Assass...
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| Format: | Article |
| Language: | Russian |
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Ural Federal University Press
2017-06-01
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| Series: | Известия Уральского федерального университета. Серия 2: Гуманитарные науки |
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| Online Access: | https://journals.urfu.ru/index.php/Izvestia2/article/view/2461 |