„Cały świat – samo życie”. Rola materii w malarstwie Tadeusza Kantora w latach 1945–1964
The topic of the paper is the idea of matter in Tadeusz Kantor’s painting after World War II, including metaphorical painting, the informel, and the painting of the matter (1945-1964). The artist defined matter as an indeterminate, universal foundation which is a vehicle of the attributes of all th...
| Main Authors: | , , |
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| Format: | Article |
| Language: | deu |
| Published: |
Adam Mickiewicz University Press
2019-05-01
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| Series: | Artium Quaestiones |
| Subjects: | |
| Online Access: | https://pressto.amu.edu.pl/index.php/aq/article/view/18796 |