Le spectre à la fenêtre
This article proposes to study the relationship between the spectral figure and the frame from the recurrent visual motif of the spectrum appearing through a window. Two films are analyzed and compared on this motif: The Innocents (1961) by Jack Clayton and The Tenant (1976) by Roman Polanski.
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Centre d´Histoire et Théorie des Arts
2022-12-01
|
| Series: | Images Re-Vues |
| Subjects: | |
| Online Access: | http://journals.openedition.org/imagesrevues/12634 |