Staging the Emotions in Giulio Camillo’s Theatre: Syncretism, Embodied Cognition and the Arts of Memory
This paper examines a long-neglected aspect of Giulio Camillo’s oeuvre: the role of the emotions and their systematic symbolisation via foot imagery in L’Idea del Theatro (1550) and De l’humana deificatione (c. 1542). A twofold hypothesis is suggested: on the one hand, Camillo’s negative associatio...
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| Format: | Article |
| Language: | English |
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Universidade de Aveiro
2022-06-01
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| Series: | Ágora |
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| Online Access: | https://proa.ua.pt/index.php/agora/article/view/29398 |