Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio
The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a sym...
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| Format: | Article |
| Language: | Italian |
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Fondazione Università Ca’ Foscari
2021-10-01
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| Series: | Archivio d’Annunzio |
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| Online Access: | http://doi.org/10.30687/AdA/2421-292X/2021/01/003 |