THE DISSIDENCE OF MELODY IN ANATOL VIERU'S OEUVRE. CASE STUDY: THE QUOTATION OF THE "FRÈRE JACQUES" SONG
Melody (in the traditional sense of a hummable horizontal structure that is relatively easy to remember) faced a kind of censorship in the last century, being almost barred from the world of highbrow music. For post-WWII Romanian composers this sense of duress manifested itself in two different way...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2018-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/2302 |