De quelques hypothèses sur la joie de L’Oiseau d’or : Brancusi, Mina Loy et Rilke
This paper investigates the way poetry considers the « imaginary halo » (Bachelard) emanating from works of art, that is to say, not forms in themselves, but the suggestions, affects and experiences that those forms elicit for their beholders. According to Brancusi, the vocation of his sculpture is...
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| Format: | Article |
| Language: | English |
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OpenEdition
2016-12-01
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| Series: | Recherches |
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| Online Access: | http://journals.openedition.org/cher/5490 |