Women And Visual Representations Of Space In Two Chinese Film Adaptations Of Hamlet
This paper studies two Chinese film adaptations of Shakespeare’s Hamlet, Xiaogang Feng’s The Banquet (2006) and Sherwood Hu’s Prince of the Himalayas (2006), by focusing on their visual representations of spaces allotted to women. Its thesis is that even though on the original Shakespearean stage de...
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| Format: | Article |
| Language: | English |
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Sciendo
2014-12-01
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| Series: | Gender Studies |
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| Online Access: | http://www.degruyter.com/view/j/genst.2014.13.issue-1/genst-2015-0001/genst-2015-0001.xml?format=INT |