“I Knew Him, Horatio”: Shakespeare’s Beliefs, Early Textual Editing, and Nineteenth-Century Phrenology
As Hamlet gazes into Yorick’s skull, he reassembles the quirks of the jester’s personhood and also imagines a self that he used to be, in relation to Yorick. Partially through the lens of <i>Hamlet</i>, characterized by A.C. Bradley as Shakespeare’s most &am...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-03-01
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| Series: | Religions |
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| Online Access: | https://www.mdpi.com/2077-1444/10/4/236 |