Review of Susan Thomas. 2009. Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage. Urbana and Chicago: University of Illinois
In Cuban Zarzuela: Performing Race and Gender on Havana’s Lyric Stage, musicologist Susan Thomas draws on her years of archival work in Cuba and the work of a broad collection of scholars including Homi Bhabha, Judith Butler, Karen Henson, and Robin Moore to detail the development and performance pr...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2010-03-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5174 |