“Close your eyes and listen to it”: schizophonia and ventriloquism in Beckett’s plays
This paper addresses the question of the recorded voice in Beckett's drama, and more specifically in his second and later theatre, after the mid-fifties. It investigates Beckett's use of recorded voice technologies as a technique to materialise the characters’ split consciousness and schiz...
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Format: | Article |
Language: | English |
Published: |
Université Toulouse - Jean Jaurès
2011-06-01
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Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
Subjects: | |
Online Access: | http://journals.openedition.org/miranda/1924 |