A travers deux métafilms contemporains : les espaces numériques, nouveaux territoires de l'ontologie cinématographique
Through the examples of two major metafilmic works of contemporary American cinema, David Lynch's Inland Empire(2006) and Monte Hellman's Road To Nowhere (2010), which have both been produced with new digital technologies, we study how they present an industry of cinema which, through mise...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2015-02-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/6302 |