« “Les rythmes de la vie nue” : enjeux phénoménologiques de l’interdisciplinarité du baroque (Wölfflin, Chastel, Raymond, Rousset) »
The aim of this article is to show how several scholars, historians of art and literature, have focused, in order to go against the original lexicological flaw of the Baroque, on making its history from disciplinary paradigms. Indeed, to speak of the baroque is often to defend a particular method or...
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| Format: | Article |
| Language: | English |
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Institut du Monde Anglophone
2023-09-01
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| Series: | Etudes Epistémè |
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| Online Access: | http://journals.openedition.org/episteme/16869 |