La firma d’artista, i miti vasariani e Wolvinus magister phaber
The golden altar of the Basilica of Sant’Ambrogio in Milan, dated to the years of Angilbert II (824-59), is adorned with a figure designated as Wolvinius magister phaber. For years, this representation was considered the proud signature of the master directing the workshop responsible for creatin...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2017-12-01
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| Series: | Venezia Arti |
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| Online Access: | http://doi.org/10.14277/2385-2720/VA-26-17-2 |