Non-Cinema, or The Location of Politics in Film
Philosophy has repeatedly denied cinema in order to grant it artistic status. Adorno, for example, defined an ‘uncinematic’ element in the negation of movement in modern cinema, ‘which constitutes its artistic character’. Similarly, Lyotard defended an ‘acinema’, which rather than selecting and excl...
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| Format: | Article |
| Language: | English |
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Edinburgh University Press
2016-02-01
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| Series: | Film-Philosophy |
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| Online Access: | https://www.euppublishing.com/doi/10.3366/film.2016.0007 |