O olhar de Pier Paolo: questões visuais
Cinema and visual art interfuse deeply in Pasolini´s production, visually shaped out of Renaissance and Mannerist models and often divided between the desire of adhesion to reality and a stylization will. Such dichotomy, basic in Pasolini´s cinema, is not present is his visual works, synthetic, allu...
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| Format: | Article |
| Language: | Italian |
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Universidade de São Paulo
1993-12-01
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| Series: | Revista de Italianística |
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| Online Access: | https://www.revistas.usp.br/italianistica/article/view/87788 |