Eugene O’Neill’s The Emperor Jones: An Overview of White Imprints and Desire
Eugene O’Neill’s The Emperor Jones (1920) is the first ever projection of a black protagonist on Broadway who carries the imprints of white ideals. While the playwright presents the title character Brutus Jones as a kleptocrat, he seems to corroborate the fact that the streetwise black Jones’ growi...
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| フォーマット: | 論文 |
| 言語: | English |
| 出版事項: |
University of Pardubice
2015-12-01
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| シリーズ: | American and British Studies Annual |
| 主題: | |
| オンライン･アクセス: | https://absa.upce.cz/index.php/absa/article/view/2258 |