The spectable of pompousity in funerals: The 1816 Requiem of José Maurício Nunes Garcia
George Balandier in his work "Le pouvoir sur scènes" (1980) states that forms of power are represented by the spectacularization of rituals, becoming a "theatocracy" or performance of a set of behaviors that produces an idealized image of themselves, for themselves and for others...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Escola de Música da UFMG
2019-08-01
|
Series: | Per Musi |
Subjects: | |
Online Access: | https://periodicos.ufmg.br/index.php/permusi/article/view/5310 |