Down the River, Out to Sea: Mobility, Immobility, and Creole Identity in New Orleans Regionalist Fiction (1880-1910)

This essay examines the meaning of mobility in New Orleans regionalist fiction, focusing on Creoles of Color, including Honoré, f.m.c. (free man of color) and Palmyre in George Washington Cable’s The Grandissimes (1880), the ambiguously raced Mariequita in Kate Chopin’s The Awakening (1899), and Vic...

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Bibliographic Details
Main Author: Amy Doherty Mohr
Format: Article
Language:English
Published: European Association for American Studies
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/10412