Memory and Identity in the Emotive Map of Alain Resnais’ Hiroshima Mon Amour (1959)
The focus of this article is Alain Resnais’ representation of collective and individual memory and identity in Hiroshima Mon Amour (1959). The film is based on Marguerite Duras’ script from 1958 and remains faithful to this original text. With partial reference to Giuliana Bruno’s views on imaginary...
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| Format: | Article |
| Language: | English |
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New York City College of Technology
2014-11-01
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| Series: | NANO |
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| Online Access: | https://www.nanocrit.com/issues/issue6/memory-identity-emotive-map-alain-resnais-hiroshima-mon-amour |