Theodramatic Themes and Showtime in Nassim Soleimanpour’s <i>White Rabbit Red Rabbit</i>
This essay engages the experimental playwright Nassim Soleimanpour’s <i>White Rabbit Red Rabbit</i> alongside the theological dramatic theory of Hans Urs von Balthasar. Every Soleimanpour play can only happen once. Actors receive the script as they begin the show; any given actor must pe...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
MDPI AG
2020-09-01
|
| Series: | Religions |
| Subjects: | |
| Online Access: | https://www.mdpi.com/2077-1444/11/10/499 |