Renovation, overpainting, inpainting: strategies of the painter-restorer in Portugal, from the 16th to 19th century. Ideological reasons for the iconoclast and the iconofylic practices, or the concept of «utilitarian restoration» versus «scientific restoration»
The study of Portuguese art during the Modern Age, and the very recurrent activity of «painting restoration», concludes that the dominant practice then referenced as «retoque» (inpainting), «repinte» (overpainting), «renovação» (renovation) and even «restauro» (restoration), herein designated as «co...
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| Format: | Article |
| Language: | English |
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Associação Profissional de Conservadores - Restauradores de Portugal
2006-01-01
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| Series: | Conservar Património |
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| Online Access: | https://doi.org/10.14568/cp3-4_5 |