Le maschere dell’artista. Visconti interprete della décadence
Visconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the d...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2019-12-01
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| Series: | CoSMO |
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| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/4030 |