Le maschere dell’artista. Visconti interprete della décadence
Visconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the d...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Torino
2019-12-01
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| Series: | CoSMO |
| Subjects: | |
| Online Access: | https://www.ojs.unito.it/index.php/COSMO/article/view/4030 |
| _version_ | 1818588584674852864 |
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| author | Arturo Mazzarella |
| author_facet | Arturo Mazzarella |
| author_sort | Arturo Mazzarella |
| collection | DOAJ |
| description | Visconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the disguise. With his last five films, Visconti hides behind his aesthetics of artifice showing his “true” deceiving self. |
| first_indexed | 2024-12-16T09:27:05Z |
| format | Article |
| id | doaj.art-d835bd9530354b99b7c291f845b11e7e |
| institution | Directory Open Access Journal |
| issn | 2281-6658 |
| language | deu |
| last_indexed | 2024-12-16T09:27:05Z |
| publishDate | 2019-12-01 |
| publisher | Università degli Studi di Torino |
| record_format | Article |
| series | CoSMO |
| spelling | doaj.art-d835bd9530354b99b7c291f845b11e7e2022-12-21T22:36:38ZdeuUniversità degli Studi di TorinoCoSMO2281-66582019-12-011510.13135/2281-6658/4030Le maschere dell’artista. Visconti interprete della décadenceArturo Mazzarella0Università Roma TreVisconti – always formally related to the decadent movement, whereas we suggest using the more appropriate term of décadence as it brings back within its semantic field the Nietzschean notion of artificiality – carries on a meta-linguistic experience through the aesthetic and epiphanic role of the disguise. With his last five films, Visconti hides behind his aesthetics of artifice showing his “true” deceiving self.https://www.ojs.unito.it/index.php/COSMO/article/view/4030ViscontiCinemaDécadenceNietzscheDisguiseMask |
| spellingShingle | Arturo Mazzarella Le maschere dell’artista. Visconti interprete della décadence CoSMO Visconti Cinema Décadence Nietzsche Disguise Mask |
| title | Le maschere dell’artista. Visconti interprete della décadence |
| title_full | Le maschere dell’artista. Visconti interprete della décadence |
| title_fullStr | Le maschere dell’artista. Visconti interprete della décadence |
| title_full_unstemmed | Le maschere dell’artista. Visconti interprete della décadence |
| title_short | Le maschere dell’artista. Visconti interprete della décadence |
| title_sort | le maschere dell artista visconti interprete della decadence |
| topic | Visconti Cinema Décadence Nietzsche Disguise Mask |
| url | https://www.ojs.unito.it/index.php/COSMO/article/view/4030 |
| work_keys_str_mv | AT arturomazzarella lemascheredellartistaviscontiinterpretedelladecadence |